Monday, 12 August 2013

11 points of a pre-season 13/14

1) Excited, nervous, bullish, bearish, waiting, waiting, waiting, going slowly mad, over-thinking, over-reacting, sweating profusely, checking twitter 10 times a minute – summer is here. While most other blokes were playing upskirt and drinking cider I spent July pacing around a meeting room on the phone to Gabs close to tears about the Thiago/ Cesc deal. When others are relaxing by the pool with their families I’m at Nandos with Segal and DC in earnest conversation about the relative merits of Bale or Ronaldo. I am not good at summer. Nor, I imagine, are any of you. It got to the point where I had to shut down completely before I went mad. And this is no normal summer. This is a post-Ferguson summer. The summer of our discontent. The lack of activity in the transfer market has been well documented but surely not surprising. A new manager, new chief exec, new coaches, new scouts, new targets, new agents, new everything - this was never going to be the big summer of spending. (That summer may never come.) The pre-season form has been more worrying. We don’t usually go to Japan and lose. We certainly don’t lose at home to Sevilla. It’s all very nervy. But then Sunday came and I felt a lot better. Not because we beat Wigan, or won the Mcdonalds trophy. Nor was it because I thought the football was particularly good. I was just happy that the talking could stop and the football had finally begun. We’ve spent the summer feeding off scraps. We’re making it up as we go along. We have a new manager and new coaches, we are right to be nervous. But we also have the same players and a manager chosen by Fergie. He’s learning as he goes and it will take him time to find his feet but surely that’s reasonable. I am not one for big bold pre-season predictions but here’s one: we’ll be ok. 


2) Let’s start with the elephant currently training with the reserves. I could write a book about Wayne Rooney. Or I could write a sentence. I care a great deal – I couldn’t care less. It was the best of times, it was the worst of times. Has there ever been a more contrary figure in the history of this football club? Two hundred goals, every medal under the sun, goals against city, arsenal, Liverpool and Chelsea a-plenty, sublime touches, chips, raking passes and intelligent link play – on paper this is a true great. But the game is not played on paper. It’s just about played on grass but mostly it’s played in the head, and there’s something seriously wrong with that boy’s head. Now make no mistake the ‘Rooney out’ initiative was started by Ferguson. But how did it become thus? The answer to that question lies with Wayne Rooney. At times over the past two years he’s been hard hard to watch. Anecdotes of his gym work are few and far between – because his gym work is few and far between. This is tragic. This guy is a natural athlete. Don’t laugh. Wayne Rooney has the most unbelievable natural engine. Consider his performance at Porto in 2009 tracking the powerful Sissohko at full back. He was disciplined, sacrificing himself for the team, fit as a butcher’s dog to quote you know who. This guy had it naturally. But there comes a point when that isn’t enough. Coaches are taught to focus on players’ strengths and they pass that onto the players. If you’re fast, get faster. If you’re good in the air, get better. Work on your strengths to make them infallible. This is where Rooney has fallen down. When he arrived at the club he was wonderful. A bull-dog. I remember him smashing into Sol Campbell, leaving the Arsenal defender in a heap on the floor. He was 18 years old, an English player with vision and fearlessness he had the world at his feet. Over time he smoothed the rougher nature of his personality and learnt to finish. After the low of 2006/07 he hit new heights. But he couldn’t sustain it. And this was odd. When beckham, Ronaldo, Scholes came of age – they stayed at the top for the rest of their careers. They had some off games but their lowest level was always very high. Rooney by contrast looks schizophrenic at times. Performances in the bernabeu, Swansea, West Ham, Chelsea, City (h) were not just bad – they were excruciating. I used to compare Rooney to Hughes in his ability to have truly awful games. But Hughes never had those games when we needed him most. Cup finals, European final, knockout games, at anfield, maine road, highbury – hughes was a big team bully. Rooney’s record is decent but at times he looks out-classed. I’ll never forget his display in Kompany’s pocket April 2012. He looked weak, like a small boy playing men’s football for the first time. Compare that with the man-child that left sol Campbell in a heap those years before. Something went wrong. Rooney is described as thick. He isn’t thick. He’s no intellect but he isn’t thick. He knows that he is trading on his name right now. Talk early in the summer linking him with barca and Madrid was laughable. Rooney knows this. He has enough awareness to know that – put simply – Robin Van Persie is a better footballer than him. Cast your mind back to the 2005 cup final (united lost – travesty) and watch the performance of Rooney compared with Van Persie. One terrorised the arsenal back four with his powerful running, intelligence and determination – the other was anonymous bar a decent free kick. Yet Wenger talked longingly about van persies’ dedication to his craft, his desire to become the perfect footballer. Ferguson talked of Giggs in the same way. Wayne Rooney is not in that bracket. And therein lies the single reason United decided to get rid – and why Rooney wants to go. He’s not the player we’d hoped he become. He’s not the player he could have become. Whether he stays for another year or not is largely irrelevant. His chance of being a united great has passed. The lad who on paper achieved everything, will leave United with something missing. It’s what Eric would call that ‘je ne sais quoi’.

3) Compare and contrast Wayne Rooney with the recently departed Paul Scholes. Typical Scholes, escaping under the radar. One thing I know about Scholes is that I massively under-appreciated him throughout his entire career. I knew he was a genius but only now will we realise why.  We’ll never replace that range of passing, that football brain and simple, but devastating, two touch play. Only now will he start to be appreciated for the player he truly was. Stats do not do him justice. He controlled games against the world’s best. He was a genius. In the truest sense of the word he was a genius. As Neil Young is the Godfather of grunge, so Scholes is the Godfather of the nouveau footballer. Small with incredible balance he never gave the ball away and he was a winner. Scholes’ abiding memory from his career? The 95 cup final defeat to Everton. I regret not appreciating him more. I don’t think I got it at the time. Though I do have one bug-bear. People say with a wry smile that Paul Scholes couldn’t tackle. They’re wrong. He could tackle. He absolutely could tackle. He could do everything. He was just dirty. Very, very dirty. He had the world (and all its referees) fooled. The referee’s kept their cards in their pockets because Scholes had them in his. With every passing game his passing will be missed and you, me and every United fan will realise what we had. The best.

4) Quality has to be replaced with quality. United have scrimped and saved, invested in youth and polished rough gems for years now. But there is no substitute for quality. It’s right that we went after Fabregas – and we shouldn’t be too down-hearted that we didn’t get him. The manner of the bid was odd but the idea was right. That is the level of player we should be after. I was gutted we didn’t sign him. Quite simply I think we could have won the European cup with a player of his quality. But I don’t blame Moyes or woodward. It is extremely difficult to sign top players. Not even City spent more than £25million (roughly) on a player this summer. Nor Chelsea. We don’t need £20million players – we have enough. We need £30million+ players. We need another Van Persie. But signing a player like that is complicated and, often impossible. How many players could you name that would top your list or realistic targets? Even Modric wouldn’t make my list. Lovely player he may be but would he bring us the European Cup? Would he score 10-15 goals from midfield? Would he be a talisman that would lead us when the going got tough? I don’t think so. We are in the market for the top players. But in the meantime, as fans, we have to be patient. Remember when ferguson signed Djemba and Kleberson? Those signings set us back years. They were poor signings. Moyes cannot afford to make that mistake. I’d rather him be cautious than sign the wrong players. The press are falling over themselves to claim he’s struggling to sign players. He isn’t. He’s struggling to sign world class players. But then so did Ferguson and Gill. United have always struggled to persuade 26 year old Spaniards/ Brazilians/ Argentineans to leave their coastal paradise to uproot to in Manchester. This is not a new phenomenon. Of course the increased competition makes winning trophies harder than ever. And, yes, the oligarchs and sheikhs will always have first dibs. But sooner or later every club will realise they have to develop their own talent and invest in youth to create a sustainable model. And not every club will be able to do it. This isn’t a Glazer-apologist piece but the truth is United created this model and, as a result, are miles ahead of the rest. The squad is a world class player away from challenging in Europe. It could happen tomorrow or in two years time but in the meantime we’re in good shape. There is no cause for alarm.

5) Which leads me to the biggest issue. The fans. The fans are an issue. We live in an age of over-expectancy and over-reaction. Everyone is an expert, everyone has an opinion but no one takes responsibility. We are short-term, impatient and petulant. John Stuart Mill called it an over-assertion of our personal liberty. He’s right. We are bipolar. Shouting black from the rooftop one day, bellowing white from another vantage point the next. The massive u-turn in between is simply written off. We don’t have to justify ourselves to anyone. We are the people and we know best. Therein lies the issue. We do not know best. The people are relevant – but they are not all knowing. They hide behind chants in the stands or demonstrations on the streets. They are angry. But they do not know best. Several years ago, having claimed our record equalling 18th title Ferguson addressed the crowd. The crowd responded by drowning him out with instructions to ‘sign Tevez up’. It was embarrassing. Trust and patience – these are virtues. And we’re going to need them. David Moyes is the new manager and he deserves our patience. This is a club in transition. We have had one man run the club for 26.5 years. That man is gone. You could replace him with Jesus and this would still be a club in transition. If we were to win the league this season it would be the biggest miracle since the resurrection. It would be astonishing. This is not a one year project. This is minimum 3-4 years. We are in it for the long run. It’s not trendy and it’s flies in the face of current society, but patience, trust and support from the fans are going to be as important as the performances of the players over the next 18 months. In Moyes we trust.


6) Due to a chronic lack of signings the focus, not unfairly, falls on the current squad. Who will make the step up? Because someone will have to. Ferguson and now Moyes has been tasked with putting together another young side that can win in Europe. I’ve said it before but the outstanding performers in the Madrid tie were Welbeck, Jones, Cleverly and DDG (and Carrick) - all young players with the capacity to improve beyond recognition. Forget the Ronaldo example. Think of Beckham, think of Keane, Gary Neville and poor old Darren Fletcher. This is just the beginning for these guys. And the same is true of one Shinji Kagawa. I’ll tell you what I like about Kagawa. I like that he was unhappy with his performances last season. He’s not here to make up the numbers. He doesn’t want to be a squad player. He wants to be one of the best players in the world and he’s not afraid to admit it. I like that. But, for now, he’s a way off. Firstly, he needs to stay fit and establish himself in the side. There’s a lot of talk about what his correct position is but this is a red herring. Top players drift all over, comfortable with the ball at their feet in any situation. ORVP drops deep, pulls wide and doesn’t give the ball away. Ronnie was the same – Eric too. The ball is a magnet to these players. Tactics are largely irrelevant when it comes to the world’s best. High standards yes, but if Kagawa is to join the elite he needs to hit those same heights. And he needs to do it every minute of every game, anywhere on the pitch. Fergie bought Kagawa for a reason. Let’s hope we’re about to find out why.

7) There is not a scenario I can envisage in which it is ok to give back a shirt number allocated to you by the club. Perhaps you were given the number 44, and the number 9 (you are a striker) becomes available. You knock on the manager’s door and ask if you can swap. You’re ready for the step up. He says yes and we all live happily ever after. Fine. But to actively give up a shirt number because it weighs heavily on your back is wrong. Deary me. At United players step up to challenges, they break records, they throw monkeys off their backs, they come back stronger from adversity, recover from setbacks better and more spectacularly than any other side. That is what sets the best apart. Talent is a subplot to the story. Desire and character always steal the show. For a player to hand back the shirt because it carries too much history is unheard of. Firstly, I have to say that shirt numbers and their relative merits are childish at best. The top players make the number their own. Did anyone care who was number 20 before ORVP? Or did arsenal fans care about the number 14 before henry? The number is irrelevant; the player is the issue. Valencia is indicative of the true weakness of our squad – our wide players. We have always boasted world-class wide players. All the way back to the Billy Meredith this is a club that allows wide players to flourish. Beat your man, put in a cross, shoot, put him on his backside – the crowd will love you and the manager will pick you. Name me another big club with that pedigree. None. Our wingers are privileged. They should welcome the challenge and step to it. If they can’t they won’t see out the season. And it won’t be Bale or Ronaldo taking their place. It’ll be Zaha and Januzaj. (Or maybe Baines sitting in front of Evra. Hold me sons.)

8) Here’s why I love Rio Ferdinand. When asked which player he’d have on his side from the current United team he didn’t hesitate. Danny Welbeck. Firstly I agreed with his analysis (and found it insightful to hear it from a guy who plays with welbeck every single day). Secondly, I think it’s pure class of a guy to pick a youngster ahead of the obvious, more established stars. It was the sign of an old pro looking out for the youngsters. If that’s a sign of how the dressing room works then we really will be ok. Maybe I’m reading too much into this but when the entire world would have said Giggs or ORVP, Rio picks Danny. And that sums him up. You think you know these guys. He’s a 23 year old lad who’s just become a millionaire. He likes having a night out with his mates. He’s from London and you don’t trust him. You think you know him. Ten years later and he’s giving an interview to United We Stand on a pre-season tour extolling the virtues of a young player who’s taken a fair amount of stick over the past 12 months. Rio might not be the brightest but he’s a leader. He’s been an unbelievable servant for this club and to my mind the best centre half the Premiership has seen. The way he handled himself over the England saga was pure class. It matched the Rio off the pitch with the Rio on it. Eleven years he’s given us. We should cherish every day more because, ala Giggs and Scholes, when he’s gone he’ll be missed on and off the pitch. Rio, only the best get 10 years plus at MUFC. Charlton, Keane, Robson, Giggs, Scholes, Neville to name a few (post-war). Thanks for the past, here’s to the future. One love.

9) Nostalgia will play funny tricks on you. Your memory will always take you on a journey through time to when life was better, the birds were fitter and United played perfect football. It’s easy to convince yourself that the treble team never played out a dull 1-0 win. But don’t be fooled. Now is not the time to look back misty-eyed lamenting the loss of the good times. This is a good squad. Is it the greatest squad in the history of football? Of course not. But so what? We are not Liverpool. We don’t long for yester-year. We don’t pretend that Ferguson never made a mistake or that Eric never missed a penalty. We look forward, always focused on the next game. We are about winning and being the best. That’s the challenge. The rest will take care of itself.

10) A word of caution. Adnan Januzaj. Some lively cameos in the first team are well and good. But he’s miles off first team action. He needs to fill out physically, possibly go on loan – he needs to go through the process that Welbeck, Cleverly and Evans went on. Only then will he be ready for the first team. Mind you, with only a year on his deal remaining, he might be at Barca by then. Putting your faith in youth is right – but putting too much pressure on them is wrong. Getting the balance right is something Moyes did well at Everton. Doing it successfully at united could be the difference between success and failure at the highest level.

11) Is Ryan Giggs. It’s getting silly now isn’t it? I think he’s improving. So with that in mind here’s other big bold prediction: I don’t think this will be his last season.


Friday, 10 May 2013

Sir Alex Ferguson: A dreamer at heart


Why did he bring on Macheda?

Pouring over everything written about Ferguson in the past 48 hours one thing is clear: the man’s astonishing. Yet amongst his greatness and his triumphs there is one moment I keep coming back to, one question I can’t stop asking:

What made him bring on Macheda?

There are bigger moments in Ferguson and United’s history. In a sea of success this is, after all, a pretty small wave. It’s not signing Cantona, it’s not Keane’s header in Turin and it’s not a wonderful run by Giggs. It’s a small moment. But therein lies the key to Sir Alex Ferguson’s success. Ferguson, you see, has always known that life is only ever about the small things. Lots and lots and lots of small things. Details. Remembering names, making time for people, attending weddings and funerals – these are the small things that, when added up, mean the big things. This is life - and I learnt it from Sir Alex Ferguson.

So why did he bring on Macheda? 2-1 down, a back four decimated by injuries, a title challenge falling apart at the seams, why did he think giving a 17 year old Italian his debut would help?

For that matter why switch Giggs to left back against West Ham 2011? Why play Welbeck over Rooney against Madrid and why bring on Giggs in the 100th minute of the last ever semi final replay? Why did he sign Ronaldo? Why Solskjaer over any other striker in Europe? Why, why, why?

The answer is rooted in the small, seemingly insignificant moments that happen behind the scenes. Macheda was brimming with confidence and had all the arrogance of a 17 year old who’d just scored a hat-trick in the reserves. Why did he score that hat-trick? Because a certain manager told him that if he scored against Newcastle he could be on the bench against Villa – for the first team. Ferguson knew how to press this kid’s buttons. He inspired him. He lay the foundation for Kiko’s miraculous moment with that one comment. It’s a stretch to say it was all planned. But it was definitely all planned for. You can’t win the lottery if you don’t buy a ticket. And Ferguson spent 26.5 years buying tickets to every lottery going.

Ferguson’s success is rooted in traditional values of loyalty, commitment and hard work. But this combined with his Govan roots and early career at St Mirren and Aberdeen, often see him painted as a growling industrialist. A British icon with a shipyard background who flogged his players to death and scared them into succeeding. This is wrong. This is myth. The planning, the preparation, the work ethic – these were the foundations for something bigger, something out of this world. Because the unspoken truth about Ferguson is this: he’s a dreamer. A romantic. He believes in the impossible.

He used to say stupid things about Manchester United Football Club being the biggest and best in the world – in 1986. People laughed – and with good reason. (For comparison imagine the new manager of Everton saying that today.) But Ferguson didn’t laugh. He smiled. He worked, he dreamed and he believed.

Sir Bobby Charlton tells of the time he and Ferguson visited Camp Nou in the early 90s and how they stood on the pitch ogling at the stadium. “This is what we need”, Fergie said. And he didn’t just stare jealously while thinking about what to have for tea. He flew home and drove the chairman mad to increase the capacity of Old Trafford. 45,000 was not enough. 55,000 not enough. 70,000 no, 85,000 no. Nothing would satisfy him. His vision was for the biggest, best stadium for the best football club in the entire world. That was his dream.

And it manifested itself in a team that could make grown men cry. The courage they showed (I remember my dad shedding tears home to Spurs ’99. He couldn’t get over the sheer guts Keane, Beckham et al had shown to get over the line) combined with the style of play brought us more and more success. This is not a coincidence. Style and substance: to a fantasist like Ferguson you can’t have one without the other. He believes in players enjoying themselves, doing wonderful things and “expressing themselves.” He believes in that because he believes that’s what winners do. And he loves it.

Winning in style is so often misunderstood. It’s not just about playing beautiful football. It’s about performing under pressure, or winning when the odds are stacked against you. It’s about going to enemy territory, taking everything they throw at you and coming out on top. Character. That’s what winning in style is about. And that is the fabric of our club. The Busby Babes were a group of young, adventurous men playing with such abandon and expression they changed British football forever. And they were winners. Then out of the ashes of Munich came the swinging 60s lit up by Best, Law and Charlton. When we won the European Cup in ’68 Busby serenaded the after-party with Louis Armstrong’s ‘Wonderful World’.

I see trees of green / red roses too
I see them bloom / for me and for you
And I think to myself...what a wonderful world.

It’s about the small things. And Ferguson, like Busby before him, understood that each small step could one day lead to a magnificent journey. And it did.

Ferguson was an attacking manager. His first great team introduced the world to Giggs, Cantona and Hughes. That team saw this country out of the dark ages and, thanks to a unique brand of counter attacking football, we were champions for the first time in 26 years. This wasn’t a coincidence. There’d been planning from 86-92. From 92 came the adventure.

This was the start of it all. A cycle bookended perfectly by two players: Cantona and Van Persie. Players with exceptional touch, vision and grace, they were/ are, above all winners, scorers of big goals, seemingly born to grace the Old Trafford stage. These two are more than just footballers – they are talismen. Of course, in between Keane, Ronaldo, Scholes, Giggs, Becks (I’ll stop there as the list is ridiculously long) played just as big a role, but these two are the players Ferguson dreamt of when he closed his eyes at night. They were fantasy players with substance. They were United players. They were Ferguson players.

They could make something out of nothing. And that’s what Ferguson was about. Magic. The late goals were not a coincidence. Only a dreamer could have believed we’d win at home to Wednesday, in Turin, in Barcelona and all over for all those years. He believed we could win games we should never have won and that belief permeated through the club. Beckham turned to Gary Neville, 2-0 down in Turin and said, “these have gone, we’ll win this.” Excuse me? Where did that come from? Where do you think?

Ferguson believed we’d win more European Cups. Two is not a disappointment in the modern era but he was left distraught many times. That’s why Madrid (this season) is important. It was unfair. It was injustice. That was Ferguson at his absolute best. Choking Alonso, freeing Nani, shackling Ronaldo and birthing Welbeck - the planning had been immaculate, the magic was imminent. But it wasn’t to be. He deserved better. To say we couldn’t have won the European Cup this season is wrong - and I’ll tell you why. When United reach the quarters of any tournament I think we’re going to win it. I’m not always right (clearly) but I know I’m not alone.

That night in March was the grand statement of a new United side. It was the cutting of the ribbon ahead of a big opening. It was a bright, bold, “Hello Europe, we’re back.” And it was taken from us. So he was distraught. Not only was this his last goodbye in Europe, his dream had been shattered. He was heart-broken. Unfortunately, for romantics, it happens. To quote Tennyson:

I hold it true, whate'er befall;
I feel it, when I sorrow most;
'Tis better to have loved and lost
Than never to have loved at all.

Sir Alex Ferguson has played a huge part in all our lives. Why and how has been well articulated elsewhere (Daniel Harris especially). He was our manager of our club. I have hung on his every word for most of my life and to the day I die I will never tire of hearing about the great man. I’m so happy he’s gone out on a high – a privilege granted to only a special few. Not only does he deserve it but, selfishly, it makes it all a little easier. It was time.

He is one of the most influential people in my life and I’ve never even met him. So for now I’m going to forget about the future and spend the next few weeks looking back over the last 26.5 years. And while I’ll miss him I appreciate how lucky I was to be there for so much of it. The Oldham semis 1990, the Palace final, Blackburn 93, Wembley 94, 96, Spurs home 99, Barca 99, white hart lane 2001, Anfield 07, villa park 96, 99 & 2004, Stamford bridge 2011, Chelsea home 2011, QPR 2013 and so many, many, many more. They are more than memories. They are my life. And while I’m grateful beyond words for how Ferguson has enriched my life on so many occasions, I also need to say how overwhelmed with sadness I am. Never again will I see a Ferguson side, 2-1 down, having just pulled a goal back with 20 minutes to play, chasing a game and scaring the life out of the opposition. It’s coming, they know it’s coming, but they can’t do anything stop it. Why? Quite simply, they’re trapped in Fergie’s dream.

Wednesday, 4 July 2012

THE STONE ROSES: What the world is waiting for?


DISCLAIMER: This isn’t a review. It’s some thoughts, questions and conjecture on behalf of a generation of Roses fans who are new to all this…

Is this the one?
It was everything I’d hoped it would be. They were everything I’d hoped they’d be. Even Heaton Park was magically transformed into a field of love. It exceeded expectations. But one question remains: ‘what now’?

This band is too good for a nostalgia trip, for a walk down memory lane. When they split, the frustration was not just that it signaled the end of an era (and a descent into the hideous Britpop farce), but that they had barely begun to scratch the surface. Such creative forces surely had more to offer.

And now they’ve reformed, what now? Surely this must be more than an arena tour that gives the dads in their early 40s a one-night-only chance to revisit their youth.

Immerse me in your splendour.
The fear of The Stone Roses reforming is that they become just another band. Touring, talk shows, twitter – uch. It doesn’t even bear thinking about. As good as they are (and they are the best) it would kill me to see them turn into an alternative U2. Please don’t become just another band. Immerse me in your splendour.

I wasn’t at Spike Island.
At 30 I am too young to have been there first time around. I was 8 years old when they played at Spike Island. I was 14 when they split. I got into Oasis before I got into The Stone Roses. I got into The Beatles before I got into The Stone Roses. Unlike the elder generation, not everyone at school was into acid house, going to the Hacienda at weekends. We arrived too late for that jazz. We were at Maine Road and Knebworth but we weren’t crawling round the M25 looking for raves. Nor were we at Glasgow Green, Blackpool or Spike Island watching the Roses. As with so much our generation was late to the party, and too late to be part of something special (the digital age doesn’t count). Their impact on Manchester was tangible; we felt their presence everywhere – even if they were no longer around.

Chasing a ghost.
We spent our late teens and twenties chasing the holy spirit of the Stone Roses. We were living on scraps. There were precious few clips (YouTube helped but there’s only so many times you can watch that Brown/ Squire ‘Morecambe and Wise’ interview), no new songs (Pearl Bastard was a significant event in my life), no new stories and very few public appearances.

But we never gave up. At 14 I went to T in the Park to see the Seahorses. I was that desperate to catch Squire on stage. A few of us went to every Brown tour, we saw Primal Scream several times just to groove to Mani. Reni was like a ghost. We used to wax lyrical about him, listening to whatever snippets we could find, re-reading the same anecdote about Pete Townsend being blown away by a young Alan Wren. They were like Gods. Not just because we worshipped them; but because we never saw them. They existed through faith and love alone.

“A love for each other will bring the fighting to an end.”
They were part of the baggy generation – but they weren’t defined by it. Not in a way that the Happy Mondays were. Not like New Order will be forever inextricably linked to the Hacienda. They are as timeless as The Beatles. Before cocaine ruined it, Brown and Squire wrote huge volume of work – ala Lennon and McCartney. And, like the Beatles, they were friends as kids, from the same world, who loved each other.

At the heart of the band is the Squire and Brown relationship. John said it himself at the press conference: “In some ways, it's a friendship that defines us both - and it needed fixing.” Beautiful. And true. The greatest bands (and teams) are always the sum of the parts. That’s what makes them special. It’s not just songs and instruments – it’s chemistry. It’s four guys that come together to make music that no other four guys could.

As soon as Squire and Brown forgave each other, the band was back together. It was that simple. And watching them on stage you could see the love. We all have relationships in our lives that define us. We regret what we did and didn’t say. But the love never goes. And watching four boys from South Manchester back on stage, sharing the love was nothing short of inspiring.

“Won’t you help me sing...”
The collective thousands that sang along with Browny in Heaton Park were happy with life. After all we’ve been begging for just one chance to see the Roses play for years. Now it’s been and gone, the question lingers…what happens now?

Tuesday, 18 January 2011

Piece I did for the guys at the YCC


“I don’t want to be a product of my environment. I want my environment to be a product of me.” Francis Costello, The Departed.


Quoting a fictional mobster and mass murderer may seem odd, but I know what he means.

I would hate to be defined by my job. Nothing depresses more than being defined by a career. ‘What do you do?’ Why do people ask that question? It’s the second question after ‘what’s your name?’ Why? Would you respect me more I tell you I’m a lawyer? If I were a banker would you turn your nose up at me? If I were a footballer would you want to be my friend?

It’s bollocks - I’m being slightly facetious - but it’s still bollocks.

I want to be defined by what I created. What I did with my life. I want to tell a story about who I am, what I believe and what the world needs to know about me. I want to be a hero. I want to be like my heroes. To inspire and be inspired.

Or as this man says 



“To learn how to love and to be loved.” Conor Oberst

But how?

There’s a few ways. You can be like Mozart. A genius. A god-given child genius who plucked music out of the air like snowflakes. For whom inspiration was like water – free, easy and on tap. If you like music, you like Mozart. I don’t care who you are. The melodies are as incredible today as they were 400 years ago. Listen to this:

http://www.youtube.com/watch?v=QG-oyi5KfWk&feature=player_embedded

When I first heard that piece I was in shock. I didn’t know music could be that good.

Genius exists. It’s to be treasured but never replicated. Not even by the possessor of that genius. People have moments of genius – but that doesn’t make them a genius. Bob Dylan wrote songs in the 60s that he couldn’t write now. Why? Because that inspirational creative tension that feeds your material doesn’t last forever. Age wins eventually. But when it’s there take advantage of it.

Cinderella, she seems so easy
“It takes one to know one,” she smiles
And puts her hands in her back pockets
Bette Davis style
And in comes Romeo, he’s moaning
“You Belong to Me I Believe”
And someone says, “You’re in the wrong place my friend
You better leave”
And the only sound that’s left
After the ambulances go
Is Cinderella sweeping up
On Desolation Row

Bob Dylan, Desolation Row.

Gold.

Then there’s the story-tellers. Like Paul Simon.

He sets the scene:

The Mississippi delta is shining like a national guitar (Graceland)

He tells jokes:

My father was a fisherman, my mother was a fisherman’s friend (Duncan)

He creates characters like the unnamed protagonist in One Trick Pony:

He makes it look so easy
He looks so clean
He moves like god's
Immaculate machine
He makes me think about
All of these extra movements I make…

And he fills us with evocative settings and the endings we crave:

A man walks down the street
It's a street in a strange world
Maybe it's the third world
Maybe it's his first time around
Doesn't speak the language
He holds no currency
He is a foreign man
He is surrounded by the
Sound, sound
Cattle in the marketplace
Scatterlings and orphanages
He looks around, around
He sees angels in the architecture
Spinning in infinity
He says Amen! and Hallelujah!

You can call me Al

Magic. Reading those lyrics back now, I can remember where I was when I listened to Graceland for the first time. Nowhere special, at home, driving around during uni holidays. But I can remember what I was reading, what I was feeling at the time, and where I wanted to be. True inspiration.

But there’s more to life than lyrics, than stories.

There’s everyday, grit and determination. There’s the inspirational leadership qualities that this week’s passing Major Dick Winters (Band of Brothers fans out there will know what I’m referring to) got me thinking about.

This man remains the best source of inspiration for digging deep inside yourself and succeeding. I use this man as an inspiration every single day.


This man is Roy Keane. An ex-footballer he may be but that isn’t important. Forget the partisanship of club football and think about this: I watched this man put his heart and soul on the line every single week for his team. For his team-mates. He was a winner. He was a brilliant player but more than that – if you had Roy Keane on your team you would be confident of winning. And that makes him an inspiration. I look at how he achieved that. Talent of course is vital. But his desire, his determination to never give up a lost cause, to lead by example and – most importantly, to put his neck on the line, made him what he was.

Nelson Mandela told Sir Ian Botham never to underestimate the positive effect sport can have on whole societies.. Sport brings people together and brings the best out of those involved. And he’s right. The heroic qualities that Roy Keane possessed in abundance transcend sport. Because there is no doubt that if Roy Keane was pitching on behalf of your ad agency you’d win that business (as long as he didn’t attempt to break the client’s leg if during feedback). Or if you needed a man in the trenches, he’d be the first one to volunteer. That’s inspirational.

But what inspires me changes with time. I don’t apologise for that. It’s my right as a living, sentient being to be as fickle as I damn well please. My mood changes daily (hourly if you ask those that work with me). One day I want to escape from my life and I’ll convince myself I should be somewhere else. I’ll blast Bruce into my eardrums and scream inside:

“Tramps like us, baby we were born to run”.


The next day brings new ideas, new thoughts and new longings. Maybe an insatiable desire to watch an old film, to feel melancholic or to revisit old emotions. I could watch this scene from Magnolia all day.



Music in films get it right and you can’t go wrong. I can only apologise for the crappy link. Watch the film itself.
--

An inspirational story as old as time, told as well as ever.
--

The power of this clip does not fade with time.


When winter’s coming I put Elliott Smith on the iPod and plod to work in rain. It’s an annual ritual and I remain as moved by the intimacy of his music now as I was when I first heard his masterpiece album, XO.

It’s a picture perfect evening and I’m staring down the sun
Fully loaded deaf and dumb and done
Waiting for sedation to disconnect my head
Or any situation where I’m better off than dead.

Sweet Adeline, Elliott Smith

I could go on. Murakami’s novels, the prolific nature of Shakespeare’s works, the stories of everyday heroes told and untold – inspiration is everywhere and its contributors are too numerous to be named and referenced here.

But to be inspired and to create are – though linked – different. I could watch the Sopranos all day. But I couldn’t write all day. I couldn’t play the piano all day. Those moments come every once in a while, triggered by someone else’s heroism.

And that’s what inspires me. The chance to create, not just sit back and watch. To take in what I see and add my own tuppence to the debate. To do it my way - through music, words or simply my everyday actions and relationships.

One day I want to be Ian Brown, the next I want to write like Aaron Sorkin. But whether or not either happens, the chance to define who I am by what I do, is inspiration enough. For now.

You can find link to original article and more here:
http://youngcreativecouncil.wordpress.com/


Friday, 31 December 2010

SO LONG 2010. You'll be remembered. Or will you?


So 2010 is over. Gone. Dead and buried. Caput. Finito.

Will you miss it? Will you look back at 2010 as the year where great things happened? Or will it be one of those years that flew by and morphed into all the others in the depths of your mind? You know, like 1998. Nothing happened in ’98. I mean, of course things happened, but nothing that makes me pine for 1998. The release of Armageddon starring Bruce Willis doesn’t do it, nor did France winning the world cup. In fact, that was really annoying.


What happened in 2010 that will stick in the memory? The formation of a UK coalition government springs to mind. Clegg and Cameron walking hand in hand into number 10 was a remarkable sight. Rumours that they shared a passionate embrace behind closed doors have proven to be completely unfounded. But I bet they did. 

                                                                                                     Getting ready for the big kiss


On a global level, we’ve been fire fighting. Literally in the case of Israel, while the world has had to watch as Haiti, Pakistan and others suffered terrible environmental tragedies. Such is their frequency, that there's a danger that international disasters will define our years for generations to come.

I’m no environmentalist but the earth is beginning to feel the strain that mankind has placed on it and changing climates are affecting poorer countries more and more. Perhaps the weather will be the key thing we take from 2010. I personally have spent the past 6 weeks bemoaning the weather here in the UK. How dare it snow! What about my hectic social life? And how dare you mess with the football season. Damn you superior worldly being who is clearly punishing us for the wrong doings of previous generations. And yes, I’m talking to you Mr Bank.

Because really 2010 has been a year of WTF. As in 'what the fuck just happened'? We’re coming to terms slowly with a changed world. We’re peeking our heads over the rocks we’ve been cowering behind (AKA 2008 and 2009) and slowly adjusting to new conditions. There’s less money, there’s changing industries, there’s a lack of certainty in the housing market (a previous rock of the western world) and there’s pessimism and ambiguity round every corner. In short, we’ve been stung and we’re making sure we don’t get stung again.

Government cuts, American mid-terms, interest rate holds, businesses and countries teetering on the brink of administration, global disasters and emerging superpowers – it’s uncertain to say the least. And that affects our psychology. It affects our confidence. Because the real truth is that no one knows just yet what 2010 was all about. Was it the year of the student riots? The birth of an angry generation? Or merely just another year of humanitarian disasters and political chaos? Was it the year when everything started getting better? Or the year we realised that things would never get better? Was 2010 the start of a paradigm shift, or merely just another year when lots happened, but nothing really mattered?

A bit like 1998 really. At least it’s not Armageddon I suppose.

So happy new year all and I leave you with my utterly subjective and meaningless 2010 awards:

Most enduring image:
Cameron and Clegg entering Downing St for the start of a new era of British politics.
Most unlikely world-affecting event: 
                                                            Eyjafjallajökull 

Best film: in a year littered with sequels and other meaningless films, Social Network just pips Un Prophete. Inception in 3rd for effort alone.

New stars?
Always. But how Janelle Monae isn’t much bigger in Europe than she is currently is beyond me. ArchAndroid is the best album of 2010 by a distance. In terms of new albums, honourable mentions to Arcade Fire, Big Boi, Deerhunter, Edward Sharpe and the Magnetic Zeroes and as much as it pains me, Kanye. Oh god I’ve been unfaithful to myself.

Best song:
Utterly futile as I change my mind every two seconds but right now I’m in party mood and Only Girl in the World by Rihanna is just brilliant pop. The Villagers Becoming a Jackal is utterly fantastic for all sorts of different reasons.

Sportsperson of 2010

In a year when football has proven to be even more fickle and money orientated than even its biggest critics imagined, other sports have stepped up to the mark. None more so than cricket, and our national side in particular. Andrew Strauss has led the team with distinction, dignity and class while being a very fine batsman. He deserves all the accolades coming his way.

Thursday, 11 November 2010

Oh for the love of c*ntext

Something hit me the other night. I realised I was a cultural sheep. Or rather, I realised I was unable to form an opinion on my own. Sort of.

Let me explain. I was watching Cloverfield – I’d never seen it before – and I enjoyed it. I hadn’t expected to be, but I was gripped. I didn’t care that it’s plot centred on a group of whiny young Americans, and offered absolutely no explanation as to how a giant Godzilla-type creature found its way to Manhattan – an hour in I realised that I was genuinely enjoying this film.

Then I realised, I was enjoying it mainly because I hadn’t expected to.

Which is ridiculous on so many levels. How can you expect not to enjoy something? How can you then be objective when you actually do see it? How is it ok to have an opinion of something without even seeing it? Is that your fault? Is there a way round this… and so on down the rabbit hole.

Stop whining - it's a good film. I think.


The really farcical thing is that because my expectations were so low, my opinion of the film is now basically null and void. I enjoyed it because I thought it was going to be shit and it surprised me ever-so-much by kindly not being completely shit. What a backhanded compliment. It’s like fancying a girl because your mate described her as being disgusting – barely better looking than a slug and you meet her and she’s ok. She’s actually got legs and everything. That doesn’t make her good looking.

Or does it?

Beauty is in the eye of the beholder after all. So me being the beholder, it doesn’t matter what conditions have been set – if I find that girl, that film, that song beautiful then sobeit. I almost convinced myself then.
Make love to me Roc?
Errrr pass?

I genuinely expected Cloverfield to be the worst film ever. Why? A couple of reasons:

1)    It’s gimmicky viral marketing campaign made me assume that the film was all style and no substance. A sort of the-lady-doth-portest-too-much sort of thing. LOOK AT ME I’M A NEW TYPE OF FILM WITH A HAND HELD CAMERA AND EVERYTHING. Not all that what it’s cracked up to be. (You know like a rapper who tells you how he’s raped loads of women and killed loads of other gangstas – you haven’t mate. You’d be in jail if you did. Even if you hadn’t been caught you’ve basically just confessed so you’re obviously lying unless it’s the most genius bluff of all time. Anyway I’m massively digressing.) Point is too much gimmicky marketing tends to lead to a huge disappointment in the actual film.

2)    All the critics that I respect (and they do exist) pointed to a 6/10 film. And I have no time for 6/10 films. So I steered clear.

And therein lies a huge problem. I basically followed the words of others and came to a conclusion before I’d seen the film. Now listening to critics (pros or not) is a fair way to judge if you’re going to spend your hard earned cash at the cinema. But allowing those opinions to cloud your judgement if and when you actually do see it is really very silly.

So now I think Cloverfield is a good film. And maybe I’m wrong. Maybe it is rubbish. Maybe it’s completely average  - but I’m really not the person to ask.

I am a victim of my own mentality, but also of a pressured cultural society. The fine line between art and garbage means we tread as carefully as a bird on the wire, making sure we fall on the right side of the line.

What makes art (and I’m loosely including Cloverfield in this genre – I liked it after all) so appealing is its objectivity. If I had a penny for every time I had the conversation and someone says ‘but it’s myyyyyyyyyy opionion. That’s what I think, it can’t be wrong’ I’d be a gazillionaire. But sometimes don’t we need a guiding hand ? What if I never read a paper or watched TV again? Would I still be able to distinguish between the good and the bad?

I read a book once (Peace Like A River by Leif Enger) that I’d never heard of (author included) and loved it. Then I panicked. What if I was wrong? What if this was an awful book but I’d just been caught in a certain frame of mind and enjoyed it? If I read it again, would I still enjoy it?

So I lent the book to a friend (hello Debs) and fortunately she loved it. Now we’ll skip over the fact that she also loves Heat magazine and America’s Next Top Model (ANTM to you and me), the fact she enjoyed the book was enough for me. It gave it gravitas. It was a real book as confirmed by someone other than me. Phew.

So I recommend reading Peace Like A River and watching Cloverfield – but don’t take my word for it. I’m an unreliable source.

Thursday, 4 November 2010

Inspiration is all around us....and in the past


Last night I went to this:


A fantastic event with various speakers talking about the things that inspired them and made them who they were. As I strolled through town afterwards I racked my brains thinking of what would have made my list. Everything from the mundane to the grand; the world changing to the pointless and the vast to the tiny ran through my head. I was seeking inspiration to work out my inspiration. Oh irony.

Inspiration is everywhere around us and nowhere in between. It’s that feeling that makes all the hairs stand up, that transcends you from the tube, the train, the cinema, the couch to a place where you realise what being human is all about.

I’d hate to label it. To say that it’s quantifiable  - that I could find inspiration if I just looked for it. That would be mundane. You can’t set yourself up to inspired. Well you can but it’s not the same. The moment you first heard that song, saw that film, met that girl – that ecstasy cannot be recreated.  You can’t say ‘I’m going to Paris to be inspired’ – it’s too contrived.  It defeats the object.

But you can remember being inspired. And you can remember what inspired you. What moved you in a way you’ll never, ever forget. That’s the difference between nostalgia and memories. Nostalgia (and I should be quoting another source for this but I can’t for the life of remember where I heard it) literally means pain from an old wound. When we talk about nostalgia (oh I’ve remembered it’s from Mad Men – cheers Don) it’s referring to the wound in the heart created by that memory. Re-visiting it is re-opening that emotional wound.

So inspiration can come from memories. But the nostalgia is what happens when the inspiration fades and is perhaps most powerful emotion of all. So while I can’t say that I know what will inspire me in the future, I know what inspired me in the past – because the wounds will stay open forever (or until I become a hardened old bitter man – close race).

So things that inspired me in the past, that moved me? That made stop think, change my life, the way I think, fall in love? Too many to mention – almost:


Por La Cabeza.

http://www.youtube.com/watch?v=JAKjXHctkGw

Famous for its appearance in Schindler’s List, this piece of music is stunningly moving, captivating, charming, alluring and sexy. It moves all over the place in a short space of time, wandering along filled with passion and intensity.

Interestingly, it seems sampling began in the 1930s, this melody borrowing heavily from Mozart’s Rondo to great effect (take note Eminem – I heard your sampling of Hathaway - it’s pathetic. What happened to you?).

Por La Cabeza is a song about the story of guy with a horse racing addiction entwined with women troubles (it never rains…). I’ve no idea when I first heard it but a little digging online tells me that its 2 composers died side-by-side in a plane crash in 1935 – adding even greater poignancy to the drama.


Tezcatlipoca

Twitter’s great. Don’t care what anyone says. My friend at work tweeted this link:


One man animated and produced this, marrying animation with classical music ala Fantasia (in this case Tchaikovsky’s Swan Lake). Watch in awe. It’s a beautiful story, with a soundtrack to match. I’m responsible for about 100 of its YouTube hits. Engrossing does not do it justice.

American Gods by Neil Gaiman

I read this book a year ago and I haven’t stopped thinking about it. It’s not Tolstoy but it’s a wonderful, evocative story about human gods and an anti-hero caught up in a universal conspiracy. As an aside I haven’t spent much time in the States but this book made me yearn for places I’d never been. It’s romantic, wistful and brilliant.


Hampstead Heath

Vast, vast acres of woodland, hills, lakes and paths in north-west London. It’s incongruous to its surroundings but its mystery and intrigue is incomparable. Running through it as the sun rises or sets is as cathartic a process as you’ll find in this town.